A Perfect Blur

Impressionist & Post-Impressionism Studies

Source: Degas Matisse Monet VanGogh

It always begins with a feeling. A fleeting moment.
Blurred image of numerous small purple and white flowers with some green leaves.

New England Aster No. 1

New England Aster No. 2

Blurred image of fallen leaves on the ground.

Current Season: FW2025

From a Japanese Window

Blurred image of a grocery store shelf with various food products.

Unnamed

Blurred close-up of colorful vertical grass blades in shades of red, green, yellow, and black.

Paisley Reflection

Falling Water in the Amazon

Blurred image of green and yellow leaves in the wind.
Blurred photo of leaves with green, orange, and yellow colors at night.
An abstract image with a blurred pattern of green, white, red, and purple colors.

A Private Garden

Commissioned-Only, Large Scale Prints

Every piece of work is only ever printed once. Upon completion of the project, the original file, uploads, along with all other subsequent edits and/or variations including test prints will be destroyed effective immediately.

The only original that will have manifested will be the exact print. Photographs can be taken of the print, as well as scans for repairs that may be needed to preserve the original piece, but there are no exceptions for the original file/negative.

Note that the viewing experience of this body of work on any monitor is insufficient. This work is meant to be displayed at a minimum of 5ft. on any long-side.

Regardless, thank you for your consideration.

MCL

Reflections of trees with autumn leaves on a calm body of water with floating leaves.

Japanese Maple Reflections No. 1

Reflection of autumn trees with orange, yellow, and green leaves on a calm lake.

Japanese Maple Reflection No. 2

Mission

The explicit goal is to blend the impressionist art movement with modern photography and printing methods.

Beyond the subject matter, the print itself is where the boundaries between mediums begin to blur. Printed on canvas or fine art textured-archival paper, the prints are a minimum of 5ft. on any long side, showcasing grain structure that manifests and morphs into the (hopefully) realized textures Monet and Degas set out to achieve in their work during the 1800s.

Every thing within the frame is of purpose and choice. Any blemishes one might see from the equipment is to serve as an intentional reminder to the viewer he is experiencing two mediums at once.

Inquiry